Posts tagged #music for my video

Storytelling that Matters — Lyft's Driver Community Shares Their Stories

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Everyone has a story to share. Yet as humans we’re inclined to stick with what we know, to stay in our lane of what feels familiar. It’s a mode of avoidance that works well until we’re required to see beyond our own experiences. But it’s a cycle we can break and should.

To do just this, the creative studio powered by filmmakers, Even/Odd teamed up with Lyft to create “America is an Idea, Not a Geography” — a stirring series incorporating photography and filmmaking to amplify the voices and stories of immigrants.

The project circulates around immigrant families of different national backgrounds, all connected through Lyft as a means for generating a living wage.

A big “conversation” on how immigrants fit into the economic picture continues to exist — American born citizens equating the influx of immigrants to less job opportunities across the board. But one piece of the discussion rarely is addressed: how immigrant workers are carrying the weight of the burdensome, more intensely laborious work. They’re showing up for the work many are rejecting and refusing to own. Most importantly, many are sidestepping the human rights portion.

Lyft’s short film series tackles this very notion in the most ambitious way possible, by passing the mic to their community — the drivers who uphold the services, the oil and wheel to their machine.

The series “Nine Numbers” film, directed by Mohammed Gorjestani and Andrew Batista, follows Cesar Virto’s life as a business man/writer/Lyft driver — he happens to be undocumented. A recipient of the Deferred Action for Childhood Arrivals (DACA) program, Virto’s story has a weight of unpleasant truth; his youth plagued with barriers due to his undocumented status.

The project features background music from Marmoset artist, Drew Barefoot. The licensed song “The Forest in Bloom” sets the stage for this complex, heavyhearted issue. The song is meandering and reflective — Virto’s story isn’t of defeat but is the glimpse of a long journey, contrasting moments of highs and lows.

Virto’s story is ongoing, he still faces many questions of his status as a DACA recipient. We invite and encourage you to watch & listen to his story here.


Stay informed and know your rights:

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Learn more about FWD and community partners supporting individuals like Virto:

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Living It Up in the Summer Mixtape

 
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While the end of summer lurks around the corner, we’re not about to let it fizzle away without indulging in one last hurrah. Our Living It up in the Summer mixtape is a culmination of rambunctious energy, a triumphant carefree force that will catapult you forward — a reinforcement that yes, your cannonball into the pool was the boldest anyone has ever seen.

So however you’d like to honor this transitioning of seasons, we hope you’ll join us in saying farewell to summer by celebrating it once last time.

Hit play and license the songs that bring out the best summertimes vibes in your video.

 

Eyes on Hip Hop Artist, WebsterX — Taking the Stage at Turner Hall Ballroom

Marmoset artist, WebsterX

Marmoset artist, WebsterX

“When I do something, I want to be passionate about it,” says Sam Ahmed, the man behind the moniker WebsterX.

Tactile and determined with a creative spirit, WebsterX was born with a natural hustle, a natural inclination toward poetry and music; he’s selective in what he wants to create and say, pouring his energy into things that fulfill his artistic vision, but also his community.

A relentless inventor, WebsterX takes deep care presenting his work. His music videos visual chapters reflecting present yet passing ideations; much like how lightning strikes — impossible to ignore and elusively powerful — the hip hop artist grabs onto listeners’ attention before embarking onto the next great creative process.

In this, WebsterX’s songs and music videos exude a unique style and narrative; still, an irrefutable commonality that ties his visions together, the product of WebsterX working toward deeper meaning and connection.

Inspired by WebsterX’s creative force, our Visual Content team (Josh Brine and Kale Chesney) are heading to Milwaukee to capture his story as an artist. Look into WebsterX by checking out “Blue Streak” and “Lately” below, then stay tuned for Marmoset’s exclusive artist profile video debuting this fall.

Catch WebsterX on Saturday, August 10th at Turner Hall Ballroom for TDM Festival.

FIFA Trailer Brings "The Best" by Fritzwa and J. Brodsky

 

Announcing the latest FIFA game means getting soccer fans — or football fans, depending on where you’re reading this — and video game enthusiasts revved up. Searching for music that triggers good ol’ competitive sports induced adrenaline, our creative licensing team knew what FIFA’s latest video game trailer called for.

Turning to the energetic and upbeat anthem of music collab, Fritzwa and Jeffrey Brodsky, “The Best” drives home the rivalrous spirit of the game.

Frtizwa and J. Brodsky’s bouncy beat is strong enough to standalone, a perfect example of artists making music they love — the kind of music that pops up on your Spotify playlist but also happens to license on epic video game trailers too.

 

License Music for Video, July's Good Vibrations Mixtape

Summer is the season of coming alive, celebrating all the hard work we’ve put in so far and how far we’ve come—after all, we’re halfway through the calendar year. We’ll take our frozé and cheers to that.

In these precious days of long-lasting daylight and carefree drives to the beach or pool (we wouldn’t pass up either), summer’s offering of freedom compels us toward embracing change, newness. If you share in this summertime affinity, we invite you to check out our New Music Mixtape for July.

Dive in and bask in all new, good things—enjoy.

Like what you hear? Click on the artist name to discover more gems of these newly added artists. Listen and license your favorite music—while supporting the artist community—with Marmoset.

Posted on July 16, 2019 and filed under Marmoset, Mixtapes, Music, Music Licensing.

"Say Hello" to Feeling Good with David Grumel's Latest Single

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French composer and multi-instrumentalist, David Grumel dabbles in everything from epic orchestral music to playful pop. With the release of his latest single, “Say Hello” his work offers listeners an uplifting escape, a lighthearted and reflective song that transcribes how a silver lining would feel like.

Read on to learn more about Grumel’s music compositions and his experience with making music for commercial use.


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Marmoset: Can you paint us a picture of how you began making music?

Grumel: I have a fairly unusual musical background, having studied classical piano, then very early on amplified music with a first gourd instrument at 11 years old. I recorded my first song at 14 and then did a short course in sound engineering. After that I spent a lot of years with different groups, in studios and concerts, with not a lot of success. Then at 31 I signed my first record deal with Universal Music and French independent label Naïve, for my first solo album. From then on I started being able to live from making music. I set up a recording studio La Song Factory with my friend Jérémy Rassat and started making music for film, TV and commercials. 

M: How would you describe your musical style? 

Grumel: It’s an artisanal kind of bespoke pop music, in the broad sense of the word. I’m as comfortable also doing electro, classical, folk, jazz or minimalistic solo piano. That's what I like, the eclecticism. It's always hard to define what you do instinctively. I am always guided by the emotion I feel when creating, as long as its sincere. 

M: As a composer, it seems like you've worked on everything project under the sun — from film to TV shows to advertising campaigns. Can you offer a sneak peek into what your creative or technical process looks like?

Grumel: I’ve been lucky enough to work on a vast spectrum of projects, but I always treat every piece of music I make as a unique prototype — nothing is ever a given. 

In terms of process it’s pure chaos at first, that’s the beauty. I explore every road, testing, changing, moving parts around, it’s by no means an exact science! The most important thing is to keep the process instinctive  and non-technical. Staying true to my what I feel, nothing else. It's like putting pieces of a puzzle together, but without the instructions.

Then usually after a few hours a direction comes through, a color and a structure. From that moment on a clear idea of where I want to take a piece of music becomes apparent. I almost always work alone, so it’s that initial solitary process that gives birth to something universal that you can share with so many people that makes it so interesting.

"To compose is to remember music that has never been written." — R. Schumann

M: What's a project that you're particularly proud to have been involved in?

Grumel: I support an association by the name of 7th Continent since it’s beginning. It raises awareness and works on the growing problem of plastics in our oceans. I worked on the music for their film, which you can see here —

Learn more about 7th Continent here.







Grumel: Musically, I think my solo work is what I’m most proud of. But of course I’m proud of any piece I feel I’ve successfully finished, whether solo or in collaboration.

I just finished working on the production of the second album of a Tahitian artist called Vaiteani and I had such a great time. I get real joy out of helping the artist complete their vision and getting them to their happy place because you then see it so clearly in the end result, it's fantastic. It creates very intimate bonds. The loyalty and rapport I have built up with many artists, composers and collaborators over the years also makes me very proud.

And of course when someone listens to and loves your music, that makes you happy and proud. Often it's the last project I worked on that seems the most successful to me because it means I’m still growing as an artist and that’s always a good thing, so I guess it’s a mix of all that.

M: Your single, "Say Hello" comes out today. Can listeners expect more music like this from you?

Grumel: I’m really excited about “Say Hello”, it’s already received a very warm welcome from the music industry and my peers. I collaborated with my good friend Neeskens on this, his voice just seems to blend in so well to the musical landscapes I like to create.

You can check out another track we worked on together called Back Into the Light here. I’m always excited about sharing new music, it’s like revealing different parts of yourself every time. I always like to mix it up, keep myself and listeners on their toes, so I can’t say for sure if there’ll be more songs like this, it’s really an organic process for me each time which starts with a feeling. Although I suppose there is always a trademark sound in there somewhere, something that defines you sonically as an artist.

M: As someone who crosses over between all different kinds of projects, what's something you'd pass along to other aspiring artists looking to break into composing for film, TV and commercials? 

Grumel: The only advice I could give is true for any aspiring musician: stay true to yourself and your artistic integrity in order to preserve who you are as an artist and your unique sound. Develop and nurture your craft obsessively, be passionate, be generous, have an opinion and be curious, fail a lot, never give up and good things will come… maybe!


Grumel’s single, “Say Hello” and more of his work is available for music licensing and commercial use on our roster here.