Jené Etheridge and Diana Suarez are two of Marmoset’s Creative Music Coordinators by day, swooping in to support clients with music searches and clearances for every kind of project under the sun. By night, the two host one of the most buzz-worthy dance nights in Portland —Noche Libre.
Assembled of Jené, Diana and six other DJs, the Latinx collective’s mission challenges Portland’s mainstream nightlife scene, where typically only a small demographic is made to feel seen, welcome and safe. Instead Noche Libre cultivates community, creating space for Black, Brown and Indigenous groups.
Spinning everything from cumbia and quebradita to dancehall and perreo, the inclusivity starts with the collective’s music selection. “We’re not super genre specific,” says Jené. “We definitely have a vibe but we’ll still play hip hop and a lot of different genres, there’s really something for everyone.”
It’s a reflection of their own musical tastes, everything they enjoy jamming to while also encompassing and honoring their Latin heritage and upbringings.
“I think what's really cool about something like Noche Libre is it’s just part of Latin culture — to get together and listen to music with your family and friends,” says Diana. “I really feel like it just feels like family get-togethers, everybody's just here for each other and here for a good time.”
The importance of Noche Libre’s presence — other than hearing mixes en fuego — is its movement toward building opportunities and spaces for artists of color within the music industry. With Jené leading Marmoset’s internal Diversity & Inclusion Team and Diana supporting the team’s overarching initiatives, their mission is to disrupt problematic systems to pave way for new processes.
From redefining how composers are brought onto creative projects to integrating diversity focused mixers into marketing trips — the team leads objectives that not merely benefit the underrepresented, but the entire company. It’s endless work, but indicative of genuine desire for positive change within an industry that upholds barriers for those who are non-binary or people of color.
Jené and Diana daily facilitate interpersonal conversations with other teams, including music producers and members of leadership (among community leaders). There’s a lot of work to be done, but it’s mindful development toward progression.
When not attending workshops and programs like Partners in Diversity’s Say Hey night or DJing around town as Noche Libre, Jené and Diana keep busy with their side creative missions. Diana being an experienced florist, she’s responsible for cultivating Y La Bamba and Sávila’s dreamy stage designs — the floral arrangements while laborious, only add to the feat of strength that both Latin American musical groups deliver through their performances. You can also catch Jené co-hosting Everyday Mixtapes on XRAY.FM every Saturday night from 5:00-6:00PM (PDT) — listeners will be pulled in with a mix of throwbacks from R&B, hip hop to funk and vintage gems.
So if passing through Portland and catching Noche Libre in action, what can one expect when out on the dance floor?
“We find a way to fit it altogether. Like I’ll play an Asian psych song and then a chicha song, which leads to a cumbia song,” says Diana. “Because we’re all so different and made up of so many different experiences, that’s what makes it interesting.”
Part of Noche Libre’s mission statement is “to celebrate our family’s roots and rituals by carrying on the tradition of puro pinche pari” — it’s an embodiment of finding strength in identity and to not only live in it, but to celebrate it.
Navigating music licensing terms and definitions is a breeze when you have the ultimate music glossary on hand — so we created one just for you.
Licensing from the Marmoset catalog of music entails obtaining rights to use the song(s) for an agreed upon time period. Music licensing gives you the ability to use a song in almost any kind of creative project — like building out a stellar soundtrack for your feature film or creating a signature sound to your podcast’s intro.
Marmoset can tailor a license to your project’s specifications — does your creative project have some tricky variables or broadcasting terms, or are you considering using a specific kind of vintage song but not seeing the “Buy Song” button? A custom license best ensures you’re covered, fill out our custom license form to get started.
The end client is the person or company the content is made for — if you’re a videographer hired to film and edit an ad campaign for Nike, the end client would be Nike. Swoosh!
This is is the number of employees who work for the project client’s company. For example, if you were creating a video for a large company like Amazon, the employee count is the number of employees employed by Amazon.
When music is licensed for content such as internal presentations, meetings, intranet or internal email blasts. If it's not being publicly shared or released, we consider this internal use.
This refers to licensing music for media showcased in trade and sale shows, conventions, institutional meetings, retail dealers/in-store use, kiosks, PR use and B2B facing videos.
If a song is absent of lyrics (vocals), the song will be labeled as instrumental. Commonly, Marmoset has both instrumental and lyrical versions of a song — here’s an example of how an instrumental song is labeled on the search page.
Intellectual property covers intangible content and creations — it covers anything from trademarks to copyright. When you see intellectual property, this indicates that content belongs to that content creator. For example, a song, while not tangible, is still an artist’s intellectual property.
Lyrical indicates a song with lyrics (the inclusion of vocal melodies). Sometimes the lyrical versions of a song will contain lyrics. While browsing the roster, click the three vertical dots and select Lyrics to see more.
Using on one’s content to generate revenue can be categorized as monetization. When it comes to music licensing, streaming sites or any platform that incorporates pre-roll ads is a monetary opportunity for the content creator.
This is content that goes beyond the limit of what the license terms cover. Using the previous example of a Personal - Single Use Podcast License — if the podcast is hosted on a commercial or website, this scenario would fall into non-permitted content. Not quite sure and need to double check? We can help.
A perpetual license means forever, ever. With perpetual licensing, you don’t have to worry about the hassles of renewing a license and its terms. An indefinite (perpetual) music license means you can keep your YouTube miniseries online without the song’s license expiring.
Performance Rights Organizations (PRO)
Performance Rights Organizations support artists and songwriters in getting paid for the usage of their work/music through royalties. While Marmoset focuses on helping our artist community get paid for their music, we are not a PRO but instead a sync licensing agency and original music production studio.
When purchasing a license, you’ll want to review what exactly the license covers. For example, a Personal - Single Use Podcast License’s permitted content covers a single 12 month audio podcast series posted by a non-commercial place (i.e someone’s blog). Read up more on a license’s permitted content here.
Licensing music for promotional purposes or for your company’s PR campaign? This is right up your alley. We can help with licensing music specifically for PR use, just ask.
In the case of licenses that are nearing their expiration date (non-perpetual licenses), once the license reaches its entire duration period you’ll have the option to either extend/renew said license.
When a song is being used in material where you’re generating revenue (think YouTube videos with sponsored or promotional ads, such as Hulu pre-roll or even social boosting) . Keep an eye out for this one especially if it falls within a license’s non-permitted content description.
Content with no ad dollars behind it or if being shared on a personal website. If your film was created outside an actual studio system and is being shared in a standard festival circuit, this is considered Unpaid Web. In the chance your film is picked up later for distribution, get in touch with us to revise your license conditions.